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・ Giuseppe Marchi (footballer)
・ Giuseppe Marchioro
・ Giuseppe Marcinò
・ Giuseppe Marco Fieschi
・ Giuseppe Marcone
・ Giuseppe Maria Bernini
・ Giuseppe Maria Boschi
・ Giuseppe Maria Bozzi
・ Giuseppe Maria Buonaparte
・ Giuseppe Maria Buondelmonti
・ Giuseppe Maria Ficatelli
・ Giuseppe Maria Galanti
・ Giuseppe Maria Giulietti
・ Giuseppe Maria Jacchini
・ Giuseppe Maria Mazza
Giuseppe Maria Mitelli
・ Giuseppe Maria Orlandini
・ Giuseppe Maria Tomasi
・ Giuseppe Mariani
・ Giuseppe Mario Bellanca
・ Giuseppe Mariotti
・ Giuseppe Marotta
・ Giuseppe Marri
・ Giuseppe Marsigli
・ Giuseppe Martano
・ Giuseppe Martinelli
・ Giuseppe Martucci
・ Giuseppe Marullo
・ Giuseppe Marzotto
・ Giuseppe Mascara


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Giuseppe Maria Mitelli : ウィキペディア英語版
Giuseppe Maria Mitelli
Giuseppe Maria Mitelli (1634–1718) was an Italian engraver and painter of the Baroque period. He was the son of the prominent quadratura painter Agostino Mitelli. The younger Mitelli was best known for his prolific engravings, in a great variety of subjects, including scenes from grand epics to mundane page boards for games of chance using dice, Tarot cards, and an Iconophor with anthropomorphized alphabets.〔See a similar effort by Giovanni Battista Braccelli.〕 He also engraved genre subjects, allegories, moralistic scenes, but even some bizarre cartoons that could be interpreted as sometimes provacatively subversive, or presciently revolutionary, and sometimes imaginatively bizarre.〔(Lombardia Beni Culturali ).〕 He often depicted dwarfs engaged in buffoonery or satirical depictions of aphorisms, which recalls the ''Bambocciate di nani'' or ''arte pigmeo'' of genre painter Faustino Bocchi (1659–1742).
Giuseppe studied or worked under Francesco Albani, Flaminio Torri, Guercino, and Simone Cantarini; he had a long career of over 60 years in Bologna. Mitelli was a flamboyant character who was also a painter and sculptor. He enjoyed a broad set of physical activities including fencing, hunting, fishing, tennis, gymnastics, and acting.
==Engravings of Contemporary Trades==
Giuseppe Maria produced a series of engravings depicting ''Arts of the Street'', published in 1660.〔''Italian Art at the Utah Museum of Art: a Guide to the Collection.'' Ursula M. Brinkman Pimentel, contribution by Madelyn D. Garrett. page 118-122.〕 This was part II of a book of engravings, in which part I, ''Diverse Figure'', had been engraved by Simon Guillain II, and published in Bologna by Giovanni Atanasio Mosini. The inspiration for these works was either from Annibale Carracci’s drawings, or subsequent engravings by Simon Guillain II.〔A pupil of both Alessandro Algardi and Ludovico Carracci, Simon Guillain II, was born in Paris, was the son of sculptor and engraver Simon of Cambrai (1581-1658).〕
The second part, titled ''The Arts of the Street'' (''Di Bologna. L’Arti per Via'') celebrates the tradesmen and workmen who practiced their occupations in the streets of Bologna.〔Also see engravings published by Gaetano Zompini.〕 A list of the engravings includes:

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